67 FRAMUS TEXAN GUI TAR PLUS

Plus it meant I was taking money out of my current electric projects. The Coro's sound projection weakness + the fact that she is My Precious, I ended up with considering buying a new acoustic guitar. I also started to work in schools, as a choir teacher, with 7 to 11 yo kids.in three different schools.that mean a lot of children.a lot of potentiality for my Coronado to be damaged. In the last 6 months I began to give guitar lessons, and the Coronado can't really compete with other acoustics, when it comes to the sound projection.but it was ok. My acoustic needs were fulfilled by my '67 Coronado unplugged, which is THE acoustic sound I love, for real (I'm actually planning to 'build' an acoustic version of a vintage Coronado). So basically I was exclusively playing electric guitars for the past 3 (or 4) years. I didn't play her that much, so (3 or 4 years ago) I ended up with trading her for an Orange CIJ Compstang, which I traded for a '65 Jag body (+ things).which is now the base of my #1 guitar, my Partuar. That said, I had an Eko Mascot, from 1962 (with ernie ball 11's).īut it wasn't an acoustic really, I mean not a Dreadnought, or a Jumbo, or 00, or parlor shaped.

I don't like the necks too, and the string tension. Lag, Yamaha classical, Yamha FG 345 II, Yamaha compass series, Takamine, Jasmine, Vester, Fender, Cort, Taylor, no-brands, etc.Įvery acoustic guitar sounds kitsch to me, like say Clapton's Layla in acoustic version. I've played and owned a lot of acoustics and I hated them all: Plus it's a guitar I didn't really want to buy/have, because it's an acoustic.and I don't like acoustics. This is my first non-offset NGD in maybe 3 years (beside the mini electric guitar for my kid 6 months ago.but it's not really mine )

67 framus texan gui tar